Introduction photoshop

 







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Camera Shots

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Task 1 Two Shot   Its usually a medium shot or a  medium close up to show us how or what the two characters are doing. It will imply that the two characters  are close. Medium Close Up  A medium close up is when a camera gets close on the character so that the face and the top of their shoulder is shown. We can literally see her showing her passport this can tell us that she might want us to prove something. Close Up On the close up it shows us one aspect of the character. This is usually represented to show the characters emotion and expression. Task 2 Birds Eye This bird eye angle can tell us how he's facing up at some thing very bright as  we can see on the side of his face.  This can tell us that he might be telling  us how he might looking for new knowledge, maybe trying to solve a problem . Task 3 He's wearing a suit and tie this can  tell the audience that he might be smart. We can see that tie isn't properly made and the shirt isn't fully ...
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Denotations & Connotations

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Connotations & Denotations  I n the advert, we can see a young boy sitting outside. He is wearing an old, faded blue shirt which shows he may not have many clothes. His facial expression is serious and sad, which immediately grabs attention. Behind him, there is a mud wall, suggesting the houses are made from natural, simple materials. The background is very bright, showing the hot sun and giving the sense of a dry climate. The advert also uses bold white text on the left side which is large and easy to read. At the top, we can see the WaterAid logo, making it clear which charity is behind the message. The mud wall connotes poverty and a lack of proper housing, showing the child lives in difficult conditions. The strong sunlight connotes hardship and struggle, suggesting the environment is harsh and resources are scarce. The boy’s sad and serious expression connotes suffering and desperation, which makes the audience feel sympathy and guilt. The phrase “Dig toilets, not graves”...
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Mise En Scene

S t r a n g e r t h i n g s In the opening eight minutes of Stranger Things  the mise-en-scène, makeup, and costume all work together to establish the show’s eerie yet nostalgic atmosphere. The episode begins in the Hawkins National Laboratory, a dimly lit and sterile environment filled with metallic walls, flickering fluorescent lights, and scientific equipment that immediately creates tension and mystery. The low-key lighting and confined corridors heighten the sense of fear and secrecy, while the contrast to the warm, softly lit suburban scenes that follow evokes comfort and familiarity. Props such as control panels and alarms in the lab, and Dungeons & Dragons game pieces and walkie-talkies in the kids’ basement, ground the story in both science fiction and 1980s childhood adventure. Makeup is kept natural and realistic — the scientists appear slightly sweaty and anxious, reflecting the stress of the unfolding danger, while the children’s clean, youthful looks emphasize in...
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